A Word for Rising Up Again
Tin lightning strike twice? Moving picture producers certainly recall so, and every in one case in a while they prove they can brand a sequel that's fifty-fifty better than the original.
It'southward not easy to make a motion-picture show franchise better — normally, the odds are that meddling farther will just brand something worse. That's why movie fans should celebrate rare events like a superior sequel's release. When amazing sequels like these come forth, it's similar winning the film lottery.
The Empire Strikes Back
The Empire Strikes Dorsum had a tough act to follow later the original Star Wars motion-picture show premiered. How practice you height the movie that changed the world and sent box office profits into hyperspace? By going deep into what makes these characters tick and non being afraid to go dark.
Luke gets beaten up over and over, we learn about the Force from Yoda, Han and Leia fall in love while on the run and Vader gives audiences the greatest twist moment of all time. Unhappy ending, simply super-happy fans.
The Godfather Part II
The Godfather showed Mafia members as 3-dimensional figures, not just as cartoon villain characters. These people had families, children, hopes and dreams, and they'd practice anything to protect them.
The Godfather Part II traces the rocky rising of Michael Corleone every bit he's forced into some hard choices while expanding the family business. A parallel story flashes dorsum to how his father Vito arrived in America and began the family unit's empire. Every bit Vito builds the foundation in the past, Michael secures the legacy in the present. It's a triumphant masterpiece.
Captain America 2: The Winter Soldier
While the first Captain America is a nostalgic look at the feel-practiced patriotism of WWII, Helm America: Winter Soldier takes the states into darker and more complex times. What is the meaning of patriotism if the government itself is full of traitors? What happens when friendship and duty collide?
Where the start moving picture was an adventure, the second plays like a conspiracy thriller with a shocking revelation at the end. The film soars past developing Steve Rogers fully and explores the belief that at that place's nothing more patriotic than doing the right matter.
Star Expedition II: The Wrath of Khan
Star Trek: The Move Picture underperformed. A huge budget and fantastic special effects couldn't rescue a flick anybody found…wearisome. Star Trek Ii: The Wrath of Khan had to save the franchise. And male child, did it deliver!
Director Nicholas Meyer interpreted the film similarly to a submarine thriller, with opposing captains playing cat and mouse and messing with each other'due south heads. It features spectacular battles, incredible suspense, a scene-stealing villain and a tragic ending for Spock, who makes the ultimate sacrifice. The rousing musical score is the cherry on pinnacle.
Mad Max: Fury Route
Information technology had been 30 years since the last Mad Max movie when Mad Max: Fury Road was released. Subsequently such a long time, would the sequel exist worth it? It was — and then some.
Director George Miller poured his heart and soul into the moving-picture show, and it visually feels like loftier art. At i point, a massive caravan of crazed villains chases Mad Max and friends through the unforgiving desert. One vehicle is outfitted with huge speakers and a guy with a flame-throwing guitar. That's how awesome this moving-picture show is.
Aliens
Aliens switched genres on fans. Whereas Alien was a haunted house horror flick in space, Aliens is a high-octane activeness-thriller with horror elements. More 30 years later on, it's still the high watermark of the franchise.
It has an incredible script coupled with perfect execution. James Cameron delivered a rare jewel: a hitting action movie with a female person lead that expertly balances horror and humor. Ripley's motivation is dead simple: relieve survivors from the doomed colony, kill any aliens along the way and nuke the entire site from orbit.
The Night Knight
Batman Begins was a nigh-perfect origin story for Batman. By the fourth dimension he finally puts on the cowl and greatcoat, it makes perfect sense.
The Dark Knight is another animal birthday — a crime thriller that tests both the graphic symbol and the very thought of Batman. At its center is the Joker, played with such terrifying chaos past the late Heath Ledger that people are still talking about the performance. By the end, Batman grimly accepts that he is the hero Gotham needs, simply non the one it deserves.
Terminator 2: Judgment Day
Filmmakers accept been desperately trying to make a hit followup to Terminator 2: Judgment Day for over 25 years. No matter what they do, they can't fifty-fifty come close.
It's a nigh-perfect action moving-picture show, one that takes the premise of the starting time film and turns information technology on its head. What if the Terminator that was originally sent to kill yous becomes your protector from something even scarier? The film'southward fast footstep, incredible action scenes and breakthrough special effects made it a smash hit that spawned other vastly junior sequels.
Toy Story two
When Toy Story outset debuted, audiences were gobsmacked by the CGI. Information technology had never been done at this level before — it ushered in a whole new era. From so on, that was the level of quality that audiences would expect from an animated picture.
Toy Story 2 expanded on the original past exploring center-wrenching themes like abandonment, purpose and ways to notice meaning in life afterwards devastating loss. Simply attempt non to weep watching Jessie'due south backstory. Toy Story 2 showed that even for toys, cleaved hearts could be healed.
The Silence of the Lambs
Hannibal Lecter originally debuted played by Brian Cox in a Michael Mann film called Manhunter. The motion-picture show was a pocket-sized success. But The Silence of the Lambs changed the game.
Anthony Hopkins gave us an unforgettably creepy version of Hannibal Lecter that people will be quoting until the end of time. The cryptic relationship that develops between Dr. Lecter and FBI agent Clarice Starling is the emotional tightrope of the story. Fifty-fifty though Buffalo Beak is supposed to exist the large bad guy, it'south Lecter who'south the most terrifying.
National Lampoon's Christmas Vacation
Poor Clark Griswold is a victim of his ain ridiculously high expectations. In the first Vacation film, his quest for the perfect route trip causes disaster at every turn. In Christmas Vacation, Clark unwittingly ruins Christmas every bit well.
And it's the funniest thing actor Chevy Chase has always done. One catastrophe is scarcely over before some other piles on top of information technology, and by the end, Clark Griswold is wound up and then tight he snaps spectacularly. Audiences liked Vacation, but they loved Christmas Vacation and are still watching it every holiday season.
Emmet-Man and the Wasp
Paul Rudd'southward comedic everyman portrayal of a diminutive superhero in Ant-Man proved to be a surprise hit. Combining the heist formula with comedic elements resonated with audiences and was a refreshing turn in the Marvel universe.
Ant-Man and the Wasp expands on the successful formula and becomes a lightning-paced superhero adventure that marries equal parts heist, chase and one-act. It'southward never a irksome moment every bit Emmet-Homo and the Wasp race confronting the clock to save Janet van Dyne from the quantum realm while remaining one step ahead of the bad guys.
Die Hard
Frank Sinatra originally played the John McClane office (then chosen Joe Leland) in The Detective in 1968. Die Hard was based on the screenplay adapted from the novel "Cipher Lasts Forever," which was the sequel to "The Detective."
Simply the managing director wanted more than action, so writers changed major elements of the screenplay. The finish result is not only an activity archetype but is as well ane of the best culling Christmas movies of all fourth dimension. No ane remembers The Detective, but anybody knows "Now I have a automobile gun. Ho. Ho. Ho."
X2: Ten-Men United
Information technology's hard to believe, merely at the time, no one was sure that a team superhero moving picture would work. Long before the Avengers era, there was X-Men. It was a pocket-size superhero picture by today's standards, but it paved the mode for bigger epics.
X2: Ten-Men United built on the original premise with more than conviction. Professor X and Magneto squad up to stop a sinister plot to kill mutants everywhere. The movie was a rousing telephone call confronting racism, and fans loved seeing a superhero team reach its total potential.
Goldfinger
James Bond was still relatively new to the picture-going public back in 1964, only they knew even back and then how to spot a winner. Goldfinger was Bond's tertiary cinematic outing, and in many ways, it cemented how we think of the classic graphic symbol today.
Goldfinger standardized many of the classic James Bail tropes: the womanizing, the gadgets, the ane-liners, the bigger-than-life villain, the shaken-non-stirred martini and, well-nigh of all, Sean Connery. A quintessential Bond story, Goldfinger remains the highest-rated sequel in the unabridged sprawling franchise, according to Rotten Tomatoes.
Spider-Man ii
The original Spider-Man was a huge hit. A classic origin story, audiences flocked to come across a hero that — afterward decades of waiting — had finally received the big-screen handling.
Spider-Homo 2 borrowed its plot from a handful of his popular comic book stories and gave audiences a daunting villain for Spider-Man to conquer. The story shines and is at its best when Spider-Human being, despite it all, has compassion for even his almost deadly enemy. Fifteen years after, many fans notwithstanding regard this one equally the best motion-picture show in the ever-growing franchise.
Evil Dead ii
Evil Expressionless was Sam Raimi'southward breakout horror hitting, but he did it on the cheap. Forced to piece of work within a tight budget, Raimi used ingenious techniques to raise the film, such equally "shaky cam" and shooting from the betoken of view of the evil deadites.
Evil Dead 2 is not really a sequel — information technology'south a total remake. Raimi took the aforementioned story and shot information technology again with a much bigger budget. The result is a ridiculous blend of in-your-confront horror and slapstick comedy that fans will love until the end of time.
Harry Potter and the Prisoner of Azkaban
As a movie franchise, the Harry Potter story was already a hit. Just director Alfonso Cuarón took genuine risks with the source material. Putting the students in street clothes and pushing the story towards horror and suspense, Harry Potter and the Prisoner of Azkaban became the moving picture that paved the way for its darker sequels.
For many fans, it's still the all-time film of the series. It has something for everyone: fierce trees, fantastic beasts, a magical map, time travel, shapeshifting villains, crazy plot twists…you know, Harry Potter stuff.
Fearfulness and Loathing in Las Vegas
Fear and Loathing in Las Vegas (1998) wasn't the start attempt at a cinematic story featuring Hunter S. Thompson. That honor goes to Where the Buffalo Roam (1980), in which Beak Murray deftly played the Thompson role.
Depp's version of the soused character was a little more flamboyant. And although Fear and Loathing didn't do well at the box office, it later became a huge cult classic. What's non to like nigh full dedication to hedonism experienced through the lens of a counter-culture journalist with an intimidating vocabulary?
Superman II
Superman inverse the game when it proved to the world that comic book fare could translate into box function bucks. It didn't hurt that Christopher Reeve was born to play the role.
Superman Ii gave Superman bigger obstacles to conquer. What if he came upwardly against three supervillains that had the same powers he had? Every bit Superman's romance with Lois Lane blooms, the evil trio plots a takeover of the planet. It all culminates in a spectacular brawl in New York City and the Fortress of Solitude, where Supes finally turns the tables on them.
The Proficient, the Bad and the Ugly
Fifty-fifty if you don't know the movie, you know the whistling theme song. The Good, the Bad and the Ugly became the flick synonymous with both Clint Eastwood and swell westerns. It's yet considered amidst the best.
One of the signature elements of the flick's flair is sequences without dialogue. The real reason for this is that director Sergio Leone had a smaller budget for this ane and was shooting on the cheap. But this added to the gritty ambience of the moving picture that mod westerns are still measured confronting.
Thor: Ragnarok
The Marvel cinematic universe is a project of a scope that has never been seen before — or since. With 23 movies and counting, information technology's an embarrassment of riches. Then what makes Thor: Ragnarok so special?
Mainly, it throws the gravitas of the titular character out the window and reinterprets the serious franchise as a comedy. Chris Hemsworth was made for laughs, and it's as if the writers finally figured information technology out. Audiences loved the Odd Couple-style humour of Thor and Hulk as they rampage their style through Sakaar and Asgard.
Mission Impossible: Ghost Protocol
You have to hand information technology to Tom Prowl. Say what you want about him, only he knows how to do great action films. And he's had the broken bones to show it. At an age when most male actors are opting for dramas, Prowl simply doesn't irksome down.
Mission Incommunicable: Ghost Protocol felt like a reboot of an already successful franchise, breathing fresh energy into the adventures of Ethan Hunt. Taking the best of the previous movies and remixing information technology into a loftier-stakes action masterpiece, Ghost Protocol became the new standard for secret agent popcorn films.
Dawn of the Dead
We tin give thanks George Romero for the existence of zombie movies as an unabridged genre. Night of the Living Dead popularized zombies among modernistic audiences and paved the mode for the gazillion zombie stories that followed.
Dawn of the Expressionless was the movie that brought zombies out of old, decrepit houses and into modern settings — like an American shopping mall. While the zombie effects are lame by today'southward standards, the storyline of heroes making a fortress out of whatever they can find has get a standard trope of the genre.
Logan
Is it really possible that an Ten-Men movie can make us cry this much? Yes, then some. Logan was a daring R-rated dramatic sequel to both the X-Men franchise and the spin-off Wolverine movies.
Hugh Jackman plays a mutant whose ability is waning and who finds himself as the unwitting protector of both Professor X and an orphan girl who has nearly the aforementioned abilities he has. Making it his mission to brand sure she gets to a condom oasis, Logan is a heartbreaking ship-off to the Wolverine character and a masterpiece in its own right.
Hellboy 2: The Gold Regular army
Whatever movie director Guillermo del Toro tackles has an incredible visual mode, and Hellboy 2: The Gilded Ground forces shows only what he tin can exercise with the proper budget. For the sequel, Hellboy is less in our globe and more in the magical realm beneath it.
Audiences already loved Hellboy, but the sequel created a supernatural universe so brilliant and detailed people came back for more. Is it weird to take a good-guy demon squad up with an amphibious fish-man, a gaseous German and a flammable love interest? Aye, and information technology'due south awesome.
The Bourne Ultimatum
Information technology'due south rumored that producers were forced to reboot the Pierce Brosnan James Bond films because the Jason Bourne franchise reinvented the spy movie. Watching them once again, it'due south easy to run into how this could be the example.
The motion-picture show strives for realism and creativity at the same fourth dimension. Authentic-feeling control rooms with bureaucratic spies combine with high-octane scenes in which someone is beaten senseless with a household particular like a book. The Bourne Ultimatum takes the all-time elements of the previous films and tops itself in both style and story.
Bride of Frankenstein
In Frankenstein, Boris Karloff embodied the role of Frankenstein'southward monster so well that no actor since has come shut. Dorsum in 1935, people lined up for the sequel, having no idea it would be even better.
Bride of Frankenstein resurrects both Frankenstein and his monster, which were seemingly dead at the stop of the first movie. Here, Dr. Frankenstein is blackmailed by an even crazier scientist into creating a female companion for his monster. The expect of the female creature has become iconic — and the ending a full heartbreaker.
Dawn of the Planet of the Apes
It seems unlikely that Planet of the Apes would discover audiences in its second reboot. But a modernistic take on the tale of super-intelligent apes resonated and showed us the all-time and worst the human race has to offer.
Dawn of the Planet of the Apes fast-frontwards to a world where humans are an endangered species and apes reign supreme. Though Caesar tries to forge peace with humans, his noble efforts are undermined by rogue elements. The story is a meditation on war, peace and the limits of compromise.
The Lord of the Rings: The Return of the King
Even though it has a dozen endings too many, Render of the King is still one of the best fantasy films always made. This is the tale that culminates in the final epic battle for the fate of Middle Earth.
Beyond the magic and fighting is the chirapsia heart of the story: Frodo and Sam's backbreaking journey to destroy the band to both deliver the realm from evil and relieve Frodo'south soul. The stakes couldn't be college, and director Peter Jackson pulls out all the stops for the climactic cease.
Source: https://www.smarter.com/fun/sequels-rise-above-originals?utm_content=params%3Ao%3D740011%26ad%3DdirN%26qo%3DserpIndex
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